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You and I agree: the pump-action shotgun is probably the most widely recognized type of firearm there is. Not just the look, but the sound of the slide being racked as well. No decent action movie is complete without it!
When people feel that they have been victims of unjust actions, they may defend the ego by comparing themselves to those worse off. Similarly, we may see similarities between ourselves and others in a better position to improve our self image. These defense mechanisms are known as download or upward social comparisons. For example, a man who has broken a leg and confined to a wheelchair may make a downwards social comparison with a person who has been diagnosed with a more serious condition to make their own situation seem less troublesome. Alternatively, a person might seek to identify with a person of a perceived higher social position, such as when they learn that a celebrity is eating at the same restaurant as they are.
Hanna decides she is ready for the real world, and the two of them plunge back into a confrontation with the CIA. And then we get an odd cross between a fairy tale and a high-tech action movie. It could have been a fairly strained attempt at either, but director Joe Wright ("Atonement") combines his two genres into a stylish exercise that perversely includes some sentiment and insight.
He demonstrates that action movies need not be mindless. There is a role for creative choreography in them, even in largely CGI scenes like a chase sequence involving shipping containers on a dock. Even when human bodies are not really there, their apparent movements must be choreographed, and that sequence is a beauty. 2b1af7f3a8